Beru si to osobne. Narrow Focus, Tranzit. 28.06.2005 Bratislava, Frešo, Brody, Šimera, Skála,

Conceptual work, AVU, Prague, 2005
 
The project was conceived as a way of bringing together two art schools in Prague (the Academy of Fine Arts (AVU) and the Academy of Art, Architecture and Design (VŠUP). The project also served as a bridge for people of similar artistic views, work, as well as an artistic reflection on the complex relations within the Prague art scene. The exhibition was held at the AVU gallery, which until recently also served as a studio. This inspired us to transform the gallery space during the time of the exhibition for studio purposes. This specifically pertained to the Conceptual and Inter-media Work Studio from VŠUP. We chose the Conceptual and Inter-media Work studio because it is the VŠUP studio that is closest to us in content-wise and because we were taken an interest in the negative relations between the studio heads and AVU. All materials occupying this studio (painting easels, paints, paintings, furniture, etc.) were relocated to the AVU gallery during the opening of the exhibition. The studio served the same purpose as before this relocation. This means that every Tuesday and Wednesday, studio meetings were taking place in the gallery and the students used the entire space for their artistic purposes.

take it personally: AM 180 Prague 2004. Frešo, Skála, Śimera, Brody

BER SI TO OSOBNE:

Táto výstava ma ambície otvoriť diskusiu o nevraživosti na českej umeleckej scéne. Motív hľadá kdesi v základe ľudského konania, v pudoch. Sex ako fenomén, ktorý formuje osobné vzťahy ľudí zainteresovaných na pieskovisku českého umenia. Koncepcia výstavy vychádza zo zadefinovania si vzťahov medzi autormi. Nie umelecká skupina, ale kamaráti. Na výstave vznikla spolupráca týchto autorov: Evžen Šimera, Ondřej Brody, Jiří Skála a Viktor Frešo

A.M.180, 23.–29.4. 2004
The Czechoslovak artistic quad Jiří Skála, Ondřej Brody, Evžen Šimera and Viktor Frešo at A. M. 180 have had enough. Their project, Ber si to osobně (take it personally), is founded on a single gesture: each wrote on a wall the names of people they don’t like in their profession. What they wrote angered four of their acquaintances. But it also revealed how relationships are defined in Prague’s artistic scene. They offered the possibility of understanding how irrationality is entangled with the network of artistic collaboration, rivalry and refusal. Artistic work in its own world has its mundane dimensions.
Most likely, each identified someone who would also like to write sn that wall. The action, Ber si to osobně, most certainly did not improve any relationships within the Czech scene. Ondřej Brody dislikes the artist Tomáš Svoboda, Jiří Skála curdles at Display Gallery curator Ondřej Chrobák, Evžen Šimera dislikes Podebal group member Peter Motyčka, and Slovak artist Viktor Frešo has issues with Juraj Dudáš. Above all, Ber si to osobně consisted of conceptual self-portraits for a social effect on a very local level. It with antipathy that our limits are always revealed. We haven’t seen such sincere recognition for a long time.